Response #2: “Disasters” as The Breaking Point

November 9, 2008 | Comments Off on Response #2: “Disasters” as The Breaking Point

– Peter Zimmerman You write, “I see the portrait as the framing of the human face within a 2-D plane, using the artist’s own emotive reading of the face in order to create a sense of the sitter.” I feel this coding of the portrait verges on the archaic, thereby not allowing for more plastic […]

– Peter Zimmerman While I can see the placement of identity as forefront and vital to the dialogue not only about Cindy Sherman but also that of portraiture in general, is there, potentially, something more that allows for the “Fairy Tales / Disasters” photographs to be seen as outside of the history of portraiture? I […]