by Peter Zimmerman Catherine Ingraham’s essay that accompanies the 1999 Sherrie Levine / Joost van Oss collaborative exhibition at the Paula Cooper Gallery in New York City highlights three major facets of their collaborative works of appropriation. However, instead of being merely commentaries on the originals by Gerrit Rietveld, Levine and Oss re-write, and thereby […]

-Peter Zimmerman So much time is spent discussing the role of photography in Sherrie Levine’s early work from the later 1970s/early 1980s; however, her movement into sculpture raises much of the same questions, but pushes the arguments even further. In photographic works like the “After Walk Evans” series or the President/Fashion portraits, Levine simultaneously presents […]

“Theme: Not Duchamp, Not Levine”

September 23, 2008 | Comments Off on “Theme: Not Duchamp, Not Levine”

– Joan Bowlen Walk into a Dollar Tree or souvenir shop and look around at the multitude of plastic cookware, cheap costume jewelry, generic sweatshirts, and the rack upon rack of universal postcards and posters.  These are objects which, if asked for a first reaction, most people would not say that these objects are beautiful, […]

Tuesday Links

September 23, 2008 | Comments Off on Tuesday Links

Some art-related links for Tuesday: Blake Gopnik, “Retail Imitates Art. Is This A Sincere Form Of Flattery?” (Washington Post) This column looks at the ways in which a advertising agency Newmark Knight Frank in NYC appropriated the visual code of Barbara Kruger to help sell retail space via advertisement. Gopnik raises the issue of ownership […]

Body Language: The Presence and Absence of Cindy Sherman and Sherrie Levine, 1975-1987 Perhaps one of the most overlooked series in Cindy Sherman’s oeuvre is a photographic travelogue throughout her childhood, adolescence and early adulthood. Titled “A Cindy Book (c.1964-1975),” the collection brings together pictures from vacations, school activities (prom, sporting events, class photos, etc.), […]